Nov 11, 2010
Paul Klee, the famous Swiss/German expressionist painter, may seem to be making an almost mystical claim here — that creativity comes from beyond the conscious mind. I think you’d be right in assuming that creative impulses come from unconscious parts of the mind, but not that this is an exclusively mystical state. In fact, all action ultimately has this quality of coming from “beyond,” but we simply fail to notice this most of the time, because we’re in the grip of the illusion that the conscious mind is “us,” that it owns our actions, and that it’s in control.
When I speak, I’m often aware that my words come …
Mar 31, 2010
The more aware we become of ourselves, the more we notice that our minds resort to pre-programmed “scripts” — habitual ways of reacting to the world. Srimati discusses how awareness creates the freedom to choose our responses and free ourselves from our conditioning.
Srimati is a freelance spiritual teacher, writer and co-founder of Thrivecraft Coaching, and a former member of the Western Buddhist Order.
She is currently engaged in publishing her whole body of work via books, articles, CDs, films, and the internet. Her aim is to contribute accessible and relevant spiritual intelligence to mainstream modern life and business. Srimati’s CD, Answers: Finding …
Jun 30, 2009
Every time Sunada watches Bobby McFerrin or Yo-Yo Ma perform, she’s left in awe. It’s not just their amazing musicianship, she says. What uniquely comes through in their music is their generosity of spirit and totally engaging way of expressing their individuality. As a musician herself, she muses on what it takes to cultivate that kind of open-hearted spontaneity and creativity.
I recently read an interesting discussion that’s given shape to my thinking on this subject. It was about the difference between spontaneity and impulsivity. While the two terms are often used interchangeably, there are some subtle but important differences.
Mar 20, 2008
Vajradaka looks back on a meeting in a smoky Jazz club and explores the mystery of empathetic communication between artist and audience.
I once had a chance encounter with a jazz musician that had a big effect on me and characterized some of the important qualities of living a creative life. At the time I was living up in the hills of Wales and coming down to London periodically. During one such visit I went to a jazz gig at the old Vortex in Stoke Newington, as part of the London Jazz Festival. It was smoky and dark with only a dozen people in the audience. We did not need much empathy to …