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You are browsing all posts tagged with the topic: Ron Fricke

Wildmind Meditation News

Sep 03, 2012

‘Samsara’ filmmakers seek meditative flow

Pam Grady, SFGate: Twenty years after they made “Baraka,” filmmakers Ron Fricke and Mark Magidson are back with “Samsara,” with Fricke directing, Magidson producing and both men credited with concept, treatment and editing.

Shot in gorgeous 70mm over five years in 25 countries on five continents, like “Baraka” and 1983’s classic “Koyaanisqatsi,” where Fricke started his career as co-writer, co-editor and director of photography, “Samsara” is dazzling visual poetry that blends the sacred with the profane, the industrial with the natural. Fricke and Magidson recently sat down for a phone chat about their latest cinematic wonder.

Q: How do you find out about some …

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Wildmind Meditation News

Aug 28, 2012

Meditating on our global interconnectedness: A conversation with Samsara filmmakers Ron Fricke and Mark Magidson

Alexandra Marie Daniels, The WIP: When I set aside my dance career, my fascination for movement in time and space had not ended though my interests had shifted from the proscenium stage to film.

At the time, I asked my friend James, a film producer, to please make me a list of must see films.

The next morning I received an email with a list of five movies. The film Baraka was at the top of the list with a note that said “Watch this film on the big screen.”

It has been twenty years since filmmakers Mark Magidson and Ron Fricke created …

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Wildmind Meditation News

Aug 25, 2012

Meditative stream of images in ‘Samsara’ raises questions

“Samsara,” a dazzlingly beautiful documentary directed by Ron Fricke and Mark Magidson, consists of a non-narrative stream of images shot in 25 countries. It is best enjoyed as a kind of meditation, writes Seattle Times movie critic Moira Macdonald in this review. The film is playing at Seattle’s Cinerama.

Ron Fricke and Mark Magidson’s stream-of-images documentary “Samsara” floats by, its pictures piling up like turned pages in a magazine. Shot in 70mm and playing on Cinerama’s massive screen, it’s often dazzlingly beautiful — a shot of clouds erupting like cotton over a volcano; a massive church whose windows are a candy-colored kaleidoscope of stained …

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