In my last post I said I’d been teaching meditations based on a Buddhist discourse called the Honeyball or Honeycake Sutta. This teaching is about relaxing our sense of being separate from the world.
On one level it’s about simply being with our experience rather than reacting to it. That’s the approach to this teaching that most people adopt. On another, deeper, level it’s about not identifying with any of our experience being me or mine. We don’t think “this is my experience” or “this is me here, having an experience.” This when there is experiencing going on, without any sense of there being an experience or something that is experienced. It’s a radically simple practice once you find a way in to it (and helping people find that way in is what I try to do).
As often happens, my meditation practice went off in an unexpected direction as I taught these meditations based on the Honeycake Sutta. My meditation practice often isn’t something I do, but something that happens within me. It has a life of its own. And it’s always interesting seeing where we end up.
Toward the end of the series I found myself regarding my experience as being like a movie. This opened up some interesting perspectives, but before I share that I’d like to say something about another teaching from the Buddha that cross-pollenated, so to speak, with the Honeycake. This is a discourse called the Phena-Pindupama Sutta. Phena means “foam.” Pindupama means “lump.” So this is the “Discourse on the Lump of Foam.”
In the Phena-Pindupama Sutta the Buddha is on the banks of the Ganges river, talking to the monks about the way in which our experience is, in a sense, illusory in nature. Being beside a river, he starts off by using water metaphors. The physical forms we see, he says, including our own physical form, are like a lump of foam drifting downriver: just as someone with discernment could examine that foam and find that there’s no substance to it — that it’s “empty, void, without substance” — so, as we examine form, we find it’s exactly the same.
What does this mean? Isn’t it obvious that our bodies are solid and substantial? Well, when in meditation we take our attention deeply into the body, what do we find? Do we actually experience any solidity or substance? All that we can ever know are sensations. We have sensations that the mind translates into concepts like “substance” and “solid” but those are still just sensations. The sensations that we think of as representing contact with something solid are nothing more than sensations of resistance. And when we look very closely at those or any other sensations they’re anything but solid. They’re nothing more than pinpoints of perception. They’re not stable, but wink in and out of existence, moment by moment. This is something that any of us can verify, although it does take some investment of time in developing the relevant observational skills.
Feelings, the Buddha tells the monks, are like bubbles appearing and disappearing rapidly as a heavy raindrop slams into the river’s surface. Here too, we can train ourselves to look closely at the nature of feelings. We may think of feelings as persisting over time, but if we look closely we see that they are simply internal sensations. During a rainstorm there are always splashes on the surface of water. But each splash lasts for just an instant. Feelings, examined closely, are like that too: pinpoints of sensation, suspended in space, winking in and out of existence with incredible rapidity. “What substance could there be in feeling?” the Buddha asks.
From this point on the Buddha seems to have run out of river metaphors: thoughts and concepts are like a mirage shimmering over hot ground; emotional impulses are like the pith of a banana tree, which, onion-like, has layers and layers that can be removed, leaving nothing, since this kind of tree has no heartwood; consciousness is like an magic trick—an illusion created by a conjurer. All of these things lack substance. And this can be confirmed in our experience as well. What substance is there in the sounds and images that we experience in memory and imagination? What substance is there in anger or desire? In consciousness itself?
The metaphors that the Buddha chose were apt for his times, and are still useful for us. But in my own life, the most appropriate, simple, and helpful analogy is borrowed from the illusion that we call “cinema.” My physical, emotional, and mental experience is like a movie. My body fabricates sensations. My brain fabricates feelings in the body. My mind fabricates sounds and images and conceptual categories within itself. And all of these things are insubstantial. And they are things that I can observe, like a movie.
And, like a movie, our experience can be profoundly absorbing. When my feelings are hurt, I think of the hurt as a real thing. Anger appears, and I think that’s real too. I believe all the stories I tell myself about how the person who hurt me is selfish, or bad, or clueless.
But what if I realize that I’m watching a movie. What then?
Once I start to accept that my body and mind are fabricating a movie for me, I take it all less seriously. Watching the movie of my experience, I can experience pleasure and discomfort in the body, and it’s all something to be appreciated, the same way I appreciate the tender and the tense moments in a film. I can experience my feelings, and whether they’re pleasant or unpleasant I find I can enjoy them just the same. Impulses arise, and if they are unloving or unhelpful can I let them dissolve like the unreal things they are: I don’t need to take them seriously. I recognize that my thoughts, my memories, and my imaginings of the future are simply movies that run in the mind.
It’s all a movie. To see things this way is simple. It’s effective. And it’s new to me, so it’s work in progress. Please excuse if my explanation lacks coherence in any way.
And I know, from messages I receive from damaged people, that there’s a possibility that some will mistake what I say to mean that nothing matters. But that’s not true. What matters is to love everything—especially the parts of us and of others that take the movie to be real. For those parts need our love and compassion. This gives life meaning. Love and meaning are part of the movie too, but they are ultimately what the movie is about. We don’t have to believe this: it’s simply how things are and our task is simply to see it. This is what we are to see: our true nature is connectedness and compassion.
So if we don’t have a sense of meaning, purpose, and love in our lives, it would be unwise to embrace this this perspective of seeing our experience as being like a movie created for us. When there’s a healthy sense of love and meaning in our lives, disillusionment is a positive experience. Without those things it can be devastating. But once we do have a basis of love, appreciation, and purpose, then to see life as a movie is a way of deepening those skillful qualities even further. It’s a way of liberating ourselves from investment in the beliefs and clinging that obscure the reality of connectedness and compassion, which is what we truly are.