Oṃ Mani Padme Hūṃ / Om Mani Padme Hum
Avalokiteshvara (or Avalokitesvara) is a Bodhisattva who represents compassion, and his mantra also symbolizes that quality. Avalokiteshvara means “The Lord Who Looks Down (in compassion)”.
There are various forms of Avalokitesvara (Chenrezig in Tibetan). The four-armed form is shown here. There is also a 1000-armed form — the many arms symbolizing compassion in action. And in the far east, Avalokiteshvara turned into the female Bodhisattva, Kuan Yin.
Om, as I’ve explained before, has only a mystical meaning — suggesting primordial reality. Mani means jewel, while Padme means lotus. Hum, like Om, has no conceptual meaning. Overall, the mantra is suggestive of the bringing together of the qualities of wisdom (the lotus) and compassion (the jewel).
Just as the lotus can exist in muddy water without being soiled, so wisdom can exist in an impure world without becoming contaminated.
The mantra is often “translated” as “Hail to the jewel in the lotus” but the Sanskrit simply can’t mean that. The central element, manipadme, seems properly to be a name, Manipadma (“The Jewel Lotus One”) with the -e ending signifying the vocative case, meaning that Manipadma — is being invoked (“O Jewel Lotus One”). If this is the case, assuming that the mantra is in classical Sanskrit, then Manipadma would have to be a feminine figure, but it’s unknown which figure that would be! Some have suggested that it might be an invisible consort of Avalokiteshvara. If the mantra was originally in a non-Sanskrit language with different grammatical rules, however, and the vocative -e ending was applicable in that language to a masculine figure, then Manipadma could be Avalokiteshvara himself. The mantra would them mean “Om, O Jewel Lotus One, Hum” — the “Jewel Lotus One” being Avalokiteshvara.
And the Dalai Lama points out that just as a jewel can relieve poverty, so the compassionate mind takes away the poverty of unhappiness that exists in the world and replaces it with the wealth of wellbeing.
This is probably the best known Buddhist mantra. I swear I remember hearing it chanted on an episode of the BBC Sci-fi series, Dr Who, when I was a young kid back in the 1960s, and even before that, in the 1940’s it featured on an American radio show called the Green Lama.
This mantra is very widely chanted in Tibet, and not only chanted but carved onto stones, printed onto flags, and embossed onto prayer wheels. The illustration above shows the mantra’s six syllables, which from left to right are: Om Ma Ni Pa Dme Hum.
Tibetans find Sanskrit hard to pronounce (so do westerners, actually, but in different ways) and so Tibetans pronounce “Padme” as “peh-may”.
We’ve created a YouTube video of images of Avalokitesvara, accompanied by the mantra:
Click below to listen to an MP3 version:
o is pronounced like o in ore
a is pronounced as u in cut
e is pronounced as a in made
ū is like oo in cool
ṃ in hūṃ is pronounced like the NG in English “lung”
The Bodhisattva Avalokitesvara (Avalokiteshvara)
Avalokiteshvara’s name means “The Lord Who Looks Down (in compassion).”
In Tibet, Avalokitesvara is known as Chenrezig, and the Dalai Lama is said to be an emanation of this Bodhisattva. In the far east, Avalokiteshvara turned into the female Bodhisattva, Kuan Yin (Chinese) or Kannon (Japanese).
Avalokitesvara is also popularly known as Padmapani, or “Holder of the Lotus.”
To western eyes, the depiction of Avalokiteshvara as having four arms can seem bizarre or alien. The first time that I saw a picture of this Bodhisattva I was mildly repelled, and couldn’t help wondering about how all those arms joined to the body!
Later I came to realize that this is simply an iconographic convention, and one that we also have in an important Western art form, the comic strip. How does a comic strip artist show that a character is in motion? Often this is done by having motion lines behind a figure to show movement, or by showing multiple versions of body parts, like a stroboscopic photograph. Here’s an example:
Similarly, Eastern artists, trying to depict the multifarious compassionate activities of Avalokiteshvara, chose to depict him as having four arms. Avalokiteshvara’s compassion and wisdom have too many dimensions to be represented by a conventional human figure, and so each arm represents a different aspect of his compassionate nature.
The central pair of hands clasps the mani, or jewel, to Avalokiteshvara’s heart in a prayer-like attitude. The jewel represents compassion, which is his principle attribute. The jewel is held to his heart because compassion is central to Avalokiteshvara’s being. Compassion is Avalokiteshvara’s essence.
The outer arms hold a mala (rosary) and a lotus flower, as if as gifts. These are Avalokiteshvara’s offerings to the world — his compassionate activity extending into the world. The lotus symbolizes wisdom, while the mala represents the gift of meditation, and also comments on the necessity for the constant repetition of skillful activities in order to attain enlightenment.
This multi-limbed approach was taken to another level in the thousand-armed and eleven-headed form of Avalokiteshvara. According to legend, Avalokiteshvara made a vow, in the presence of the Buddha Amitabha, to manifest in all the realms of existence in order to save all sentient beings. He also vowed that if he were to lose his compassion for even a moment, that he would shatter into a thousand pieces.
At one time, having worked tirelessly for the welfare of beings, Avalokiteshvara, at Amitabha’s prompting, looked back and saw that there were still uncountable beings suffering in samsara. At that point he became discourage, fainted, and shattered into a thousand pieces. Amitabha gathered up the pieces and reassembled them into a form with thousand arms and eleven heads.
The eleven heads symbolize the eleven directions of space, suggesting that Avalokiteshvara’s compassionate gaze is infinite in scope. Each of the thousand hands, which are arrayed like an aura around the standing figure of Avalokiteshvara, has an eye in the center of the palm, suggesting that his beneficial activities are informed by transcendental wisdom. Many of the hands bear implements, suggesting the skilful means that Avalokiteshvara employs in saving sentient beings from the sufferings of samsara.
Although he is associated with compassion, Avalokiteshvara is, like all Bodhisattvas, symbolic of wisdom as well. He is connected with the Heart Sutra in particular, and that text is in fact a teaching he gave on the topic of emptiness (shunyata) to Shariputra. He is also associated with the Lotus Sutra.
Avalokiteshvara is the spiritual father of Tara, who is said to have been born from a lotus that grew in a lake formed by the tears he shed as he gazed in compassion at the infinite sufferings of the world.