full-body breathing

The body-wide wave of breathing

Photo by Jeremy Bishop on Unsplash

When I’m teaching a refresher course on meditation, I’ll often ask people first of all just to meditate for a few minutes to arrive, paying attention to the breathing as they normally do. After letting them settle in to their meditation practice for a few minutes I’ll ask that they take one hand and — as they continue to pay attention to the breathing — “draw” in the air over the body the outline of whatever it is they identify as “the breathing.” You might want to try that right now, before reading further.

I wonder what kind of shape you drew on the body, and where? Most people end up inscribing a very small area. Sometimes they show that they are paying attention to a column of air moving up and down their airways. Most often they draw a small oval, perhaps the size of an open hand, in the center of their chest.

It seems that many people, when they hear the suggestion to observe “the breathing,” take this as a suggestion to observe “the breath.” But the breathing and the breath are two very different things. The breath is air (or the sensation of air) flowing in and out of the body. The breathing is all and any sensation connected, however indirectly, with the process of air flowing in and out of the body. This potentially includes sensations from the whole body, since indirect sensations connected with the process of breathing can be experienced even in the hands and feet. But it at least involves the whole of the trunk of the body: the front, sides, and back of the chest and abdomen, sensations on the skin that covers those parts of the body, the shoulders, the spine — and of course air flowing through our airways.

When we’re paying attention to the breathing in this more expensive way, the practice becomes much more interesting. Focusing on just a small area of the breathing just doesn’t give the mind enough to do, and because the mind doesn’t like being under-occupied it invents distractions for itself. When we pay attention to many different sensations the mind has plenty to do, is less likely to go wandering, and is more engaged and absorbed.

This absorption can go even deeper than simply noticing lots of different sensations. Once we open ourselves to noticing sensations of breathing over the entire body (or at least a large part of the body) we can notice how those sensations are connected with each other and move together.

After all, the breathing is one process. No matter which sensations we observe, they’re all part of a single wave of movement driven by the movements of the diaphragm. Air flowing in and out of the nostrils, the rise and fall of the shoulders, the ever-changing pattern of sensation where our clothing moves over our skin, the movements in the spine, and of course the movements of the rib cage and of muscles in the abdomen — all of these are part of a wave of sensation, surging back and forth through our entire being.

Paying attention to the breathing as a body-wide, dynamic, rhythmic flow is far more engaging than observing just one small area of the breathing, and even more fascinating than observing several sensations at the same time. It brings about a deep level of absorption in which we can be content, calm, and fully engaged with our sensory experience.

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The eyes have it

As you’re reading these words, begin to notice your breathing. Don’t change anything, just letting your body breathe naturally.

  • Notice where the breathing is taking place. How much of the movement is in the chest, and how much is in the abdomen?
  • Notice the rate of your breathing.
  • Notice how deep or shallow your breathing is.
  • Notice how you feel.

Now continue to notice these things, but with one change:

For a minute or two, stop focusing on the individual words, but relax your gaze and allow yourself to take in the whole screen, and then everything around the screen, right up to the periphery of your visual field.

Now that you’re back …

You probably noticed that when you were focusing on reading your breathing was shallower, mostly confined to the chest, and relatively fast, and that by contrast, when you were taking in the whole scene your breathing was deeper, involved the abdomen much more, and slowed down. You probably felt more relaxed, calmer, and happier compared to when your eyes were narrowly focused.

When we’re focusing our gaze narrowly, the sympathetic nervous system is active. The sympathetic nervous system is part of the autonomic nervous system that’s responsible for fight or flight. It looks for threats and prepares us for responding to them. Unfortunately we tend to have our sympathetic nervous systems active too much, flooding the body with stress hormones and finding ourselves in a chronic state of overstimulation. No sooner have we finished paying attention to one thing, we actively seek out something else to focus on. We get stuck in a hyper-vigilant and anxious cycle of sympathetic activity.

Relax our gaze prompts the parasympathetic nervous system to become more active instead. The parasympathetic is the branch of the autonomic nervous system that brings us back to calm, rest, and balance. This exercise helps us to consciously trigger a parasympathetic response so that we can break the cycle of permanent vigilance, and allow ourselves to relax.

This exercise brings about quite a rapid change. And it’s not difficult to do. It just requires changing the way we’re relating to our eyes — relaxing our gaze and letting the eyes be less tightly focused.

Now you probably can’t read or surf the internet with this mode of vision, but you can take breaks, hold conversations, attend meetings, walk down the street, or drive a vehicle.

And one other thing you can do with this relaxed gaze is to meditate. In fact, this is one way I often encourage people to go into meditation, in order to help their practice be more effective. Here’s one example, and here’s another.

One interesting thing is that the way we focus with the eyes affects how we focus with the mind. When our eyes are in sympathetic mode — narrowly focused — we’ll tend to focus on one thing with the mind. So when we’re being mindful of our breathing, then we’ll tend only to focus on one small part of the experience of breathing. This usually isn’t enough to keep the mind interested and in fact it leads to a form of sensory deprivation. And so the mind creates thoughts to fill the information vacuum.

Our narrow focus of attention, which is like a flashlight, tends to switch over to noticing thoughts, which are generally far more emotionally compelling than the physical sensations of our breathing. And so we end up in the all-too-familiar cycle of paying attention to the breathing, getting distracted repeatedly, and having to bring the flashlight of our attention back to the breathing over and over again.

When the eyes are more relaxed in meditation, we’re able to take in the whole “scene” of our breathing. This is a far richer experience, not just because there are more sensations to pay attention to, but because we can see the connections between various sensations. For example we can see how sensations in the abdomen relate to sensations in the nostrils, and how those relate to the sensations in the back. Our experience is revealed as dynamic, interconnected, and even sensual.

Thoughts will still arise, but since our attention is less like a flashlight, throwing out a narrow beam, and more like an oil lamp, casting light in all directions, we can be aware of our breathing and our thoughts at the same time. Thus, we can simply allow thoughts to pass through our awareness, without getting caught up in them. Suddenly, meditation becomes much easier.

So this is a simple change, but one that allows us to radically change our experience in meditation, and in life.

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